They testify

We have collected testimonials from several of our dance floor users, here they are:

FRANÇOIS GRISTI
Physiotherapist, Ballet du Capitole de Toulouse

"After installing the floor of the rehearsal studio at 8 rue Jean Rodier in Toulouse, I noticed the almost disappearance of the periostitis phenomena which were very common among our dancers. The cushioning has reduced a good number of joint fatigue problems (ankles, knees, hips) and, consequently, fewer vertebral blockages. 

I've also noticed a reduction in muscular pathologies with fewer brutal tear-type accidents and a drop in muscular contractures."

DENIS BERTRAND
Manager of La Petite Martinière d'Oé

"As far as users are concerned, they all recognize the quality of the floors, whatever the activity they practice (Ballet, Ballroom, West Coast Swing, SBK, Modern'jazz, Hip-hop, Boxing, Dance Hall, Country, Zumba, Yoga, Callanetics, Shiatsu).

I haven't heard a single criticism in 10 years, and it has to be said that the quality of the halls in general and the quality of the floor in particular is a factor of choice when it comes to exercising.

As far as the teachers are concerned, especially those who take many hours of classes in a row, they regularly tell me that at the end of their classes, they have no joint pain compared to the dance surfaces they practice on elsewhere."

MELANIE LOMOFF
Classical Dancer

"On all the repulsive work we gain elasticity in the tendons, in the joints too, the calves tighten up much less quickly, become less hard. We have more muscle relaxation so more mobility and resistance over a long period of repetition, necessarily artistically we can push further, finer too."

MARTINE STEVENS-PICOT
Ballet de Bordeaux physiotherapist

"Since we changed the floor at Franklin Hall, accidents related to the dancer's daily routine have decreased considerably.

Flexibility, especially during jumps and landings, gives better cushioning; musculo-tendinous injuries are fewer, stress fractures as well as overwork syndromes have diminished."

ANTHONY EGÉA
Artistic Director, Compagnie Rêvolution, Bordeaux

"The Spectat floor on tennis balls brings to choreographic practice the very best in terms of dancer safety and dance practicability. The floor's suppleness means that jumps and landings can be approached with great fluidity and lightness. The specificity of this floor, with the elasticity provided by tennis balls, prevents vertebral compression and protects joints. joints."

Visit our Instagram page:

https://www.instagram.com/p/ClGg22xIjYQ/

(Photo credit: Thomas Obrien)

/*! elementor – v3.8.1 – 13-11-2022 */
.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$= ».svg »]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}

OUR SPRUNG FLOORS